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Those not familiar with Fred, or even those who are, may not realize all
the different levels of meaning for Fred's "Genesis". This should clear
things up a bit, allowing for more appreciation for the site.
Linguistic Origins
Genesis is a Greek word related to all the "gen"-based words -- generate,
generation, genital, gene, regenerate, gentle, genius, general. The
Indo-European root beneath it is something like "gand" or "gnt" -- it means
birth, or to bear, to give birth to. The root also produces the "nat"
words -- natal, nature, natural, native, nativity -- and, in the Germanic
branch, kin, kind, akin, kindergarten, king, kindness, kinship, etc.
This branching tree of words is for me a continuation of Darwin's branching
tree of evolutionary descent, which is one of the reasons I used the word
"Genesis" as the title of my epic poem about the bringing of Earthly life
to Mars.
I sometimes visualize Genesis as the Caduceus of Mercury/Hermes, and the
Metatron of Moses/Set, the twined snakes of DNA that Mercury got in
exchange for the lyre he invented and that Apollo wanted to give to his
son, Orpheus the poet.
Biblical References
In the gospel of Matthew, 25:14-30, Jesus tells a
remarkable parable. The kingdom of Heaven, he says, is like a wealthy
man who goes travelling, and lends his three servants money (reckoned
in weights of specie called talents) until his return. The servant
that gets five talents uses the money to trade, and doubles the money
to ten, which he gives to his master on his return. The servant that
gets two talents also doubles the money, to four, and renders it to
his master. The wealthy man praises these two servants and promotes
them, effectively making them partners in his firm. The third servant
buries his talent in the ground and repays it unrisked and unenhanced,
explaining that he was afraid that the master, who has a hard reputation
of reaping where he has not sown, would blame him if he lost the money
in a risky venture. The master condemns him, and orders the one talent
to be taken away and given to the servant with ten talents, explaining
angrily that the one-talent servant should at least have "put the money
to the exchangers"--played the financial market--so that he could have
given it back with usury (interest). "For unto every one that hath
shall be given," Jesus concludes, ". . . but from him that hath not
shall be taken away even that which he hath."
This disturbing story is traditionally taken to be about our duty to
develop the natural capabilities given us by God, that it is not enough
to sit on one's bodily and mental gifts, preserving them for the final
audit of death; we are expected to risk them in the world, make something
of ourselves, and have something to show for our lives. This
metaphorical interpretation, which comfortably internalizes and defuses
the problematic financial and interpersonal implications of the story, is
no doubt partially correct. Indeed, the word "talent," which had always
meant a physical weight (with metaphorical extensions in the senses of
counterweight, tax, charge, cost, punishment, retaliation, and money
denominations) has now come in English to mean exclusively a special
ability or psychological gift, because of the weight of this
interpretation of the parable. But the parable also has a more direct
and less palatable meaning, concerning the morality of commerce, whose
implications are the more fascinating and far-reaching for having been
muffled through so many centuries of prejudice against business.
The fundamental structure of the parable is that we start out in debt,
having taken out a loan (from God, from the physical world, from nature,
from our ancestors, from our parents, from our nation), and that it is
not enough that we repay the principal; we are justly being charged
interest as well. In other words, we are expected to reimburse the
lender for the time during which we have the use of the loan; the value
we have been given is not the value of the money but the value of the
money times the amount of time we have the manage of it. What this means
is that we have to run just to stand still; it is up to us to increase
the value of what we have been lent, by at least the interest rate, and
preferably by more still. The master has bought a bond in the servant's
enterprise, which must be redeemed when it expires at a face value higher
than what the master paid for it.
The parable adds however that if we, the servant, can show a sufficiently
favorable return on the investment, that is, if we treat the bondholder
as a shareholder in our business, and pay him not just the stipulated
interest but also the dividend accorded to a part owner, the original
bond may be exchanged at its expiry for a share in the lender's
enterprise--the servant is made a stockholder in the master's firm. Thus
the use of time becomes the key issue; time must be cultivated and
enriched at a faster rate than the interest on the loan; if we can do so,
treating our creditor as we would a shareholder, we can ourselves be
transformed from a debtor into an owner, so that we and our former
creditor now own stock in each other's businesses. By the proper use of
time--"use" in the financial sense--the bond we owed can become a unit of
profitable stock that we own, and the interest we once paid over the
passage of time now becomes due to us.
An old, rather blasphemous song from the 'sixties made fun of the shady
economics of fundamentalist and evangelical religion:
Jesus puts his money in the First National Bank,
Jesus puts his money in the First National Bank,
Jesus puts his money in the First National Bank,
Jesus saves.
But the connection between saving as the accumulation of money at
interest and saving as spiritual salvation is not an altogether frivolous
or coincidental one. Words that have the same sound but unconnected
meanings tend to drift apart; but "save" remains resolutely ambiguous,
because its different meanings amplify rather than suppress each other.
Jesus' parable is a kind of gloss on the story of Jacob and Laban,
another story of saving and salvation, which Shylock quotes in The
Merchant of Venice. In the story Jacob serves as the ranch manager for
his uncle and father-in-law Laban, who is, like the Master in Jesus'
parable, a hard man who reaps where he does not sow. Jacob is so expert
and creative in his work that he makes Laban a rich man, and despite the
fact that Laban keeps changing the rules of his employment, Jacob ends up
with both of Laban's daughters and huge flocks and herds of his own. He
serves seven years for Laban's elder daughter Leah, seven years for the
younger daughter Rachel, and six years for his share of Laban's flocks
and herds. Jacob's peculiar expertise seems to be in animal breeding: he
mates the most vigorous stock in his uncle's herds and improves the
breeds. Jacob's genetic expertise, the story insists, is taught to him
by God, who also promises to bless Jacob himself with a multitude of
descendants.
Thus among other things the story is about what one might call
traditional evolutionary theory. Success is defined as reproductive
success; Jacob is the fittest in these terms. He himself sires twelve
sons by various women. He prospers by acting as a selective force on his
herds, accelerating their evolution by what in modern terms we would call
genetic engineering. What the story says about God is that God is the
spirit of evolution and the true guide for what will survive into the
future. But God too reaps where He does not sow: a rentier, so to speak,
an owner of the means of production who gives employment to his workers.
God, like Laban, is a kind of friendly adversary whose demands for
repayment create the economic discipline and stimulate the technical
ingenuity that ensure prosperity, and whose arbitrary tests warrant the
survivor as the rightful heir to the future. The Bible story hammers
this point home by having Jacob wrestle all night with a man (usually
interpreted as an angel) who actually turns out to have been God
Himself. Jacob suffers a torn sinew in his thigh from this battle, but
gets in recompense a divine blessing, and a new name: Israel, that is,
the position of ancestor to the whole nation. Jacob, the great saver, is
saved.
Let us return to Jesus' version of the story. The Master expects a
return on his money equivalent to what a competent money manager could
get by playing the financial markets over the period of time the Master
is away. The interest rate represents the cost of time. In present-day
scientific terms the cost of time is the increase of entropy, or
thermodynamic disorder. In human life the increase of entropy shows up
in the process of aging--including the onset of menopause, which is a key
element in the Jacob and Laban story and in the whole related cycle of
stories in Genesis. As Shakespeare describes it so movingly in the
Sonnets, we, and the physical world around us, wear out over time. The
order that we inherit is a loan, which not only must be repaid, but also
carries with it a finance charge; the repayment is death, and the finance
charge is aging. But two of the servants in the story manage to beat the
entropic market rate. Jesus says that they do it through trade, which
means that if he has the Jacob and Laban story in mind, which he surely
must, Jesus equates trade with the process of evolutionary husbandry
practiced by Jacob.1. In other parables of production, such as that of
the sower, Jesus explicitly outlines the process of natural selection that
enables one seed to bring forth a hundredfold while another brings forth
only fortyfold and another none at all. Thus trade, or productive
business, is the continuation of the natural process of creative
evolution, and it is one way in which we can use the investment loan of
our lives and the available resources of nature to beat the interest rate
of entropy.
These economics coincide closely with certain leading ideas in
contemporary cosmological physics. The universe is subject to the
increase of thermodynamic disorder over time; the demands of Laban and of
the Master in the parable cannot be denied. But other processes are at
work. The enormous pressure within the dense primal fireball causes it
to expand. As the universe expands, it cools. The cooling process
itself triggers spontaneous symmetry-breaking, as when crystals suddenly
form in a supersaturated cooling solution, or frost-flowers blossom on a
winter windowpane. Crystals and frost may seem very symmetrical, but
they are much less so, forming along specific planes and axes as they do,
than the omnidirectional symmetry of the liquid or vapor that gave them
birth. That symmetry-breaking can give rise to higher levels of order,
embodied in more and more complex molecular forms whose asymmetries
paradoxically provide a whole new field of opportunities for new kinds of
symmetry to emerge. These forms must in turn compete with one another
for survival, and thus further elaborate themselves, until in at least
one place in the universe they generated the amazing variety of living
organisms, including Jacob's rams and ewes, and Jacob himself. Thus the
evolutionary view of the universe corresponds nicely with the Biblical
conception that life is a debt to be repaid with interest, but also an
investment, which if properly used can yield a return superior to the
interest rate.
His knowledge of stockbreeding is symbolized by the rather mysterious
procedure of setting up a peeled branch before the herds when they come
to drink; this peeled branch is interpreted in the Kabbala as being
related to the metatron of Moses, the staff which can change into a snake
and back, and is also connected with the institution of circumcision, the
process by which a Hebrew male was enabled to give birth to himself a
second time and be reborn in the spirit. There is an even more
fascinating implication; the metatron of the Torah is one version of the
magic staff shared by many circum-Mediterranean religions, and is a
direct analogue of the caduceus of Hermes/Mercury. As we have already
seen, the caduceus is an exact diagram of the double-helix DNA molecule.
Jacob is evidently a ancient expert in recombinant DNA!
"Genesis" has roots of course to the very beginning of our existence. It
has intertwined itself in a double helix design into the fabric of life
and therefore serves as the perfect name for a growing site of an author who
is constantly thinking about where we sprung from.
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